1920's Jewelry

 

The use of jewelry as colour and line has really nothing to do with its intrinsic worth. Just as when furnishing a house, one selects pictures for certain rooms with regard to their decorative quality alone, their colour with relation to the colour scheme of the room (The Art of Interior Decoration), so jewels should be selected either to complete costumes, or to give the keynote upon which a costume is built. A woman whose artist-dressmaker turns out for her a marvellous green gown, would far better carry out the colour scheme with some semi-precious stones than insist upon wearing her priceless rubies.

 

But the rule remains the same whether your jewels are inherited and rich in souvenirs of European courts, or the last work of Cartier. They must be a harmonious part of a carefully designed costume, or used with discretion against a background of costumes planned with reference to making them count as the sole decoration.

 

Jewelry must be worn to make lines, continue or terminate lines, accentuate a good physical point, or hide a bad one. Remember that a jewel like any other object d'art, is an ornament, and unless it is ornamental, and an added attraction to the wearer, it is valueless in a decorative way. For this reason it is well to discover, by experimenting, what jewelry is your affair, what kind of rings for example, are best suited to your kind of hands. It may be that small rings of delicate workmanship, set with colourless gems, will suit your hands; while your friend will look better in the larger, heavier sort, set with stones of deeper tones.